Each song threaded a narrative with unique lyrics. In the span of the mere hour long set, we were pulled from New York City, to Montauk, to Florida, to the French countryside. With strong influences from the ocean, surfing, relationships, and the seasons changing, Trezza holds an earthy and empathetic discography.

Vincent’s lyricism remains tethered to the idea of transience. Each song offers the experience of leaving and coming back while meditating on the people, presence, and life collected along the way. While physical travel is a large player in Vincent’s modality of storytelling, equally is severe isolation. How one can be isolated in time and space through the disablement of thought and attachment – his lyrics break down this paradoxical phenomenon.

If there’s one thing The Paper Kites are, it is consistent – consistently impressive. With a memorable setlist it can become difficult to entertain returning fans, but The Paper Kites routinely delivers a unique listening experience that bends the confines of genre labels through experimentation and passion.

A sound must have life, be huge, take up space and matter in order to play at Madison Square Garden. On the New York City night of September 12th, Greta Van Fleet’s “Starcatcher World Tour” watered The (sold out) Garden for the very first time.

On the picturesque summer night of August 31st, Quinn XCII (pronounced Quinn ninety-two) shifted the EDM narrative of Brooklyn Mirage to experimental hip-hop pop.

Brooklyn Celebrates! is one of New York City’s most beloved musical experiences. At the outdoor setting of the Bandshell stage, free admission and delicious locally sourced foods made city goers flock to the park for one last summer hoorah. The Head And The Heart’s long-standing luminary folk sound pulled in one of the largest crowds to ever attend the festival.

The Bowery Ballroom hosted the Brooklyn-born band, HOKO, on the evening of Wednesday, August 23rd. On tour in support of almost monday and the WEATHERS, HOKO branded their name into the minds of their modest but curious New York City audience.

On the summer evening of Tuesday, Aug. 15, Shakey Graves pulled a crowd of friends, strangers, and lovers to the rooftop of New York City’s Pier 17.

On Sunday, May 14th, The Academic stopped at the Bowery Ballroom. On their “Sitting Pretty Tour,” the young four-man band from Ireland brought their alternative Irish flair to New York City.

On the East River below the FiDi skyline, the Brooklyn Bridge-facing venue hosted Goth Babe’s “The Lola Tour” with Yoke Lore.

On Tuesday, May 2nd Lizzy McAlpine returned to New York City and sold out the west side’s beloved Terminal 5.

On Friday, April 28th, the line of eager Valley fans spilled from the doors of Irving Plaza to wrap around the block.

On Thursday, April 20th the Fruit Bats returned to New York City, having not played on the island of Manhattan in three years.

On Thursday March 30th, The Yumi Kurosawa Trio showcased their new new album “Metamorphosis” in the intimate setting of East Village’s historic Joe’s Pub.

On Friday March 31st, lo-fi pop rocker JAWNY took over Manhattan’s infamous Bowery Ballroom.

On the journey of their “Fresh Squeezed Happiness Tour,” The 502s and Oliver Hazard made a stop at Manhattan’s Bowery Ballroom for a double-header.

On the Friday evening of January 27th, Brooklyn Steel hosted a heavenly evening with Gregory Alan Isakov.

On Sunday December 11th, the musical duo FRENSHIP sold out Brooklyn’s Baby’s All Right for their “Big Boys in Small Rooms” tour.

New York City resident and respected singer/songwriter, Chelsea Cutler, shut down the city’s Hammerstein Ballroom on Saturday night. Back to back nights with a sold out venue and an electric crowd, Cutler is only one week into the second leg of her “When I Close My Eyes” 2022 North American tour, and the response to her performance has been deafening.